Monday, November 24, 2014
Friday, November 21, 2014
Jim Proctor has been an engineer and laboratory scientist for more than 34 years, working at a major university, a national measurements laboratory, and in private industry. After decades of writing and contributing to scientific papers, he began writing his first work of fiction around 2007. Using his scientific background, he brought realism to a science fiction tale of mystery and suspense. A fantasy novel followed, set on a planet where the balance of nature was anything but natural. He has written numerous short stories, and is currently working on a new science fiction novel. His books are Made in The Stars and The Last Steward. When not writing (or reading), he is working for a living while thinking about writing. He can be found at https://www.facebook.com/IndieAuthorJimProctor
Thursday, November 20, 2014
Wednesday, November 19, 2014
Tuesday, November 18, 2014
by Gary Fearon, Creative Director, Southern Writers Magazine
|Frequent establishing shot from TV's Seinfeld|
Just like the establishing shot in a movie, a good opening lyric gives the listener an instant understanding of the current state of affairs so that they feel caught up on whatever they need to know to jump right in with us.
Consider the opening lines of these hit songs from various genres. In each of the following examples, they provide an establishing setup, if not a backstory, for what will be the closing line of the song:
"Yesterday" (The Beatles)
First line: Yesterday, all my troubles seemed so far away
Last line: Oh, I believe in yesterday.
"Somewhere Over the Rainbow" (from The Wizard of Oz)
First line: Somewhere over the rainbow,way up high
Last line: Why, oh why can't I?
"All By Myself" (Eric Carmen)
First line: When I was young, I never needed anyone
Last line: Don't wanna live all by myself anymore.
"Sittin' on the Dock of the Bay" (Otis Redding)
First line: Sittin' in the mornin' sun, I'll be sittin' till the evening's done
Last line: Sittin' on the dock of the bay, wastin' time.
"Heartbreak Hotel" (Elvis Presley)
First line: Well, since my baby left me, I found a new place to dwell
Last line: I get so lonely, I could die.
"Sunshine of Your Love" (Cream)
First line: It's getting near dawn
Last line: I've been waiting so long to be where I'm going, in the sunshine of your love.
"By the Time I Get to Phoenix" (Glen Campbell)
First line: By the time I get to Phoenix she'll be rising
Last line: She just didn't know I would really go.
"New York New York" (Frank Sinatra)
First line: Start spreading the news, I'm leavin' today
Last line: It's up to you, New York, New York.
Full circle is very satisfying, and a correspondence between the opening and closing lines offers that sense of fulfillment. But even more important is providing the listener with that helpful briefing up front. Giving them an easy invitation to follow along and not waste time sorting out what the song is about is music to their ears.